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    The Producer’s Guide to Transmedia: How to Develop, Fund, Produce and Distribute Compelling Stories Across Multiple Platforms

    By Nuno Bernardo

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    The Producer's Guide to Transmedia offers advice on how to fund, develop, produce and distribute content across multiple platforms, drawing on Nuno Bernardo’s ten years experience of Transmedia storytelling and production for global audiences. This guide analyses how multiplatform can bring extra revenues and help producers connect directly to audiences and create entry points through which consumers can become immersed in content. It encompasses a series of case studies discussing ideas and concepts of how Transmedia can be key to promoting and engaging with audiences around a traditional TV show, feature film, game or consumer brand. Nuno Bernardo is an award-winning and Emmy-nominated Transmedia writer and producer, and the creator of the world’s first international interactive online teen series, Sofia’s Diary.

    The Producer's Guide to Transmedia offers advice on how to fund, develop, produce and distribute content across multiple medias, drawing on Bernardo’s ten years experience of Transmedia production for global platforms. The guide analyses how multiplatform can bring extra revenues and help producers connect directly to audiences and create entry points through which consumers can become immersed in the content. The 200 page work encompasses a series of case studies discussing ideas and concepts of how transmedia can be key to promoting and engaging with audiences around a traditional TV show or film.

    Nuno Bernardo, CEO of beActive and author of The Producer's Guide to Transmedia, says “The entertainment landscape is rapidly evolving, challenging established business models and where audiences are changing how they consume content. Transmedia storytelling offers producers a way to really connect with their consumers – using different medias to make their content part of the audiences’ lifestyles. As the linear broadcasting of content becomes obsolete, producers need to be ready for the new on-demand paradigm, and we hope this guide will prove a constructive source for producers globally as they capitalise on the changing face of content consumption.”
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