This Tribeca Press edition includes the full original text as well as an easy to use interactive table of contents.
The Master Builder is a play by Norwegian playwright Henrik Ibsen. It was first published in December 1892 and is regarded as one of Ibsen's most significant and revealing works. The play was first performed on 19 January 1893 at the Lessing Theatre, Berlin, with Emanuel Reicher as Solness. It opened at the Trafalgar Theatre, London on the 20th of the following month, with Herbert H. Waring in the name part and Elizabeth Robins as Hilda. The English translation was by the theatre critic William Archer. Productions in Oslo and Copenhagen were coordinated to open on 8 March 1893. In the following year the work was taken up by Théâtre de l'Œuvre, the international company based in Paris, and they mounted productions in Paris, London and other European capitals. The first U.S. performance was at the Carnegie Lyceum, New York, on 16 January 1900, with William Pascoe and Florence Kahn.
The setting and plot of The Master Builder can be taken as one of unrelenting, "frock-coated realism": the destructive outcome of a middle-aged, professional man's infatuation with a younger, teasing woman or, as critic Desmond MacCarthy prosaically describes this concept of the work: the tragedy of an "elderly architect who falls off his scaffold while trying to show off before a young lady". If, however, we take Solness's belief in his powers at their face value, the play can also be a lyrical and poetic fairytale, in the manner of Peer Gynt travelling the Earth in his magical adventures while the faithful Solveig waits for his return. On stage both interpretations are possible, although it is difficult to give equal weight to both meanings in the same production.
