Featuring:
Paul Carter is a Dead Man
Ben Turner is a Dead Man
Davie Craig is a Dead Man
In 2009 a bomb exploded in London, killing hundreds, including most of the royal family. The UK went into meltdown and the government was overthrown by a far right, Britain First style group. The doors to the country were closed and it became Europe's North Korea; a reclusive nation, whose population lived their lives in state governed social media. In 2014 Paul Carter kick starts a slow burning revolution and over the next two years the face of a nation will be changed once again...
Praise for the trilogy:
"Bracha has nailed this somewhat distressing and perturbing look at the future of the UK..."
"This is an exciting and unusual read..."
"Undoubtedly one of the most enjoyable novels I have read this year so far, this show is worth the entrance fee far more than many mainstream published novels I have read of late..."
"Fast moving and funny dystopian thriller that rings all too true. Brilliant..."
"A nicely crafted view of a dystopian 'New Britain' that, it seems, is frighteningly close..."
"Absolutely brilliant..."
"Relative to far too much of what we know, it hits the nail a little too squarely on the head..."
"Ben Turner not only continues the excitement and inventiveness of Paul Carter but builds on, and surpasses its predecessor. The pace is relentless and the plot marvellously, tightly-chaotic."
"You need to buy it. NOW. Scrape your pennies together, get it bought & come join us in Ryan Bracha's twisted world - you won't regret it."
"If you're attracted to a taut, imaginative, violent, white knuckle ride of a novel then look no further. You'll devour this."
"A very good read with plenty of wit, a lively cast of characters, good writing, and a keen eye for subverting audience expectations."
"As usual with Ryan Bracha's work, the pace is relentless, the humour dark and the violence is VIOLENT. This man pulls no punches!"
"A novel populated by creative and inspired characters and storylines, woven and smashed together by a writer who refuses to be constrained by genre or apathy."
Paul Carter is a Dead Man
Ben Turner is a Dead Man
Davie Craig is a Dead Man
In 2009 a bomb exploded in London, killing hundreds, including most of the royal family. The UK went into meltdown and the government was overthrown by a far right, Britain First style group. The doors to the country were closed and it became Europe's North Korea; a reclusive nation, whose population lived their lives in state governed social media. In 2014 Paul Carter kick starts a slow burning revolution and over the next two years the face of a nation will be changed once again...
Praise for the trilogy:
"Bracha has nailed this somewhat distressing and perturbing look at the future of the UK..."
"This is an exciting and unusual read..."
"Undoubtedly one of the most enjoyable novels I have read this year so far, this show is worth the entrance fee far more than many mainstream published novels I have read of late..."
"Fast moving and funny dystopian thriller that rings all too true. Brilliant..."
"A nicely crafted view of a dystopian 'New Britain' that, it seems, is frighteningly close..."
"Absolutely brilliant..."
"Relative to far too much of what we know, it hits the nail a little too squarely on the head..."
"Ben Turner not only continues the excitement and inventiveness of Paul Carter but builds on, and surpasses its predecessor. The pace is relentless and the plot marvellously, tightly-chaotic."
"You need to buy it. NOW. Scrape your pennies together, get it bought & come join us in Ryan Bracha's twisted world - you won't regret it."
"If you're attracted to a taut, imaginative, violent, white knuckle ride of a novel then look no further. You'll devour this."
"A very good read with plenty of wit, a lively cast of characters, good writing, and a keen eye for subverting audience expectations."
"As usual with Ryan Bracha's work, the pace is relentless, the humour dark and the violence is VIOLENT. This man pulls no punches!"
"A novel populated by creative and inspired characters and storylines, woven and smashed together by a writer who refuses to be constrained by genre or apathy."
