This clear and concise guide takes the reader by the hand through the first steps in the use of Pro Tools, the audio system born over twenty years ago and adopted by some of the best professionals worldwide.
The title (stopwatch in hand) is accurate for those who can’t wait to get stuck into their new software. However, this guidebook is crammed full of so many theoretical and practical tips, tricks, and points to explore at leisure that you are sure to enjoy many hours (and cups of coffee) poring over these pages.
This is an essential reference tool for anyone taking Pro Tools for a quick test drive and will be cherished by everyone who is on the road to becoming a better sound engineer.
Simone Corelli is a film rerecording sound mixer with a degree in Computer Science. He teaches audio in Masters programmes at various universities, as well as in seminars at private institutions in Italy and Switzerland. In 2006, together with Fabio Felici and Gilberto Martinelli, he published the book Elementi di Cinematografia Sonora, with a foreword by Giuseppe Tornatore and an introduction by Professor Federico Savina.
He is member of the "Audio Engineering Society" and of the "Associazione Italiana Fonici di Mix" (AIFM), and he is a co-founder of the "Gruppo Tematico per la Cinematografia Sonora" (www.gtcs.it).
The title (stopwatch in hand) is accurate for those who can’t wait to get stuck into their new software. However, this guidebook is crammed full of so many theoretical and practical tips, tricks, and points to explore at leisure that you are sure to enjoy many hours (and cups of coffee) poring over these pages.
This is an essential reference tool for anyone taking Pro Tools for a quick test drive and will be cherished by everyone who is on the road to becoming a better sound engineer.
Simone Corelli is a film rerecording sound mixer with a degree in Computer Science. He teaches audio in Masters programmes at various universities, as well as in seminars at private institutions in Italy and Switzerland. In 2006, together with Fabio Felici and Gilberto Martinelli, he published the book Elementi di Cinematografia Sonora, with a foreword by Giuseppe Tornatore and an introduction by Professor Federico Savina.
He is member of the "Audio Engineering Society" and of the "Associazione Italiana Fonici di Mix" (AIFM), and he is a co-founder of the "Gruppo Tematico per la Cinematografia Sonora" (www.gtcs.it).