Geniuses are few and far between. Most of them will have honors and prizes showered upon them. But there will be exceptions, numerous exceptions: We don’t know how many because they never make it; they fall by the wayside. They believe themselves to be alone in a hostile world, unable to adapt, unable to bring their ideas to fruition. They detest their inferiors and detest even more their superiors. One such genius, a historian with acute observations about the past and the future, was immortalized by Ibsen in his play Hedda Gabler. The Portrait of a Genius tells a similar story.
Dramatis personae are the following: Helen Gascoigne, young, beautiful, uncompromising; Leslie Brock, the dean of the faculty who wants to bed her; George Turner, Helen’s devoted husband, a scientist not burdened with great leaps of imagination; Esmund, the reckless genius who invents an entirely new kind of computer; and finally, Rosalind, girlfriend and admirer of Esmund.
Dramatis personae are the following: Helen Gascoigne, young, beautiful, uncompromising; Leslie Brock, the dean of the faculty who wants to bed her; George Turner, Helen’s devoted husband, a scientist not burdened with great leaps of imagination; Esmund, the reckless genius who invents an entirely new kind of computer; and finally, Rosalind, girlfriend and admirer of Esmund.
